Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
kopparstick som visar en allegori over inrattandet av vetenskaps och konstakadenin i paris.

ID: 61293

unknow artist kopparstick som visar en allegori over inrattandet  av vetenskaps och konstakadenin i paris.
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unknow artist kopparstick som visar en allegori over inrattandet  av vetenskaps och konstakadenin i paris.


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unknow artist

  Related Paintings of unknow artist :. | Leoparden am failing a skilful klattrare,som yarn bout stamp am threading and forvarar sits loot among grenarna | Portrait of the Grand Crown Hetman Waclaw Rzeuski | Still life floral, all kinds of reality flowers oil painting 233 | Vision of the Throne of the Lord | Seascape, boats, ships and warships. 72 |
Related Artists:
Livio Mehus
The Flemish artist (1627-1691) eclectic painter, author of landscapes, sacred objects, genre paintings and portraits embodies
Woolner, Thomas
1825 - 1892,English sculptor and poet. He ranks with John Henry Foley as the leading sculptor of mid-Victorian England. He trained with William Behnes and in 1842 enrolled as a student at the Royal Academy, London. In 1844 he exhibited at Westminster Hall, London, a life-size plaster group, the Death of Boadicea (destr.), in an unsuccessful attempt to obtain sculptural commissions for the Houses of Parliament. His earliest important surviving work is the statuette of Puck (plaster, 1845-7; C. G. Woolner priv. col.), which was admired by William Holman Hunt and helped to secure Woolner's admission in 1848 to the Pre-Raphaelite Brotherhood. The work's Shakespearean theme and lifelike execution, stressing Puck's humorous malice rather than traditional ideal beauty, made it highly appealing. Although eclipsed by Hunt, John Everett Millais and Dante Gabriel Rossetti, Woolner was an important figure in the Brotherhood. He contributed poetry to its journal, The Germ (1850), and his work was committed to truthfulness to nature more consistently than that of any other Pre-Raphaelite, except for Hunt. This is evident in Woolner's monument to William Wordsworth (marble, 1851; St Oswald, Grasmere, Cumbria).
Cornelis van Cleve
painted Portrait of Jan Wyts in 16th century






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